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Opinion

Interview with activist and musician Nate Holder

August 21, 2020October 29, 2020 Elizabeth de Brito 0 Comments black classical composers, black classical musicians, classical music, daffodil perspective, florence price, lord kitchener, music decolonisation, music decolonization, nate holder, white invalidation

Watch this fascinating conversation with activist musician and educator Nate Holder. We discuss music decolonisation,

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The Daffodil Perspective’s Classical Recordings of the Year 2019

December 14, 2019October 29, 2020 Elizabeth de Brito 1 Comment 10 best black composers 2019, 10 best female composers 2019, album of the year, albums of the year, alice farnham, as one transgender opera, ballad of the brown king, best black composers 2019, best female composers 2019, black classical musicians, black classical musicians 2019, black composer album 2019, black composer series, black composers, black composers 2019, black musicians 2019, black swans, chen yi, classical music, classical recordings of the year, classical recordings of the year 2019, coming up for air, donut robot, erika fox, erika fox kate romano, erika fox paths, female composer album 2019, female composers, female composers 2019, feminist, gender balance, gender balance classical music, gender equality, gender equality classical music, historical black composers, historical female composers, kathryn williams, langston hughes ballad of the brown king, laura kaminsky as one, le dernier sorcier, leslie gerber, lost women of music, margaret bonds, pan pacific ensemble, pan pacific ensemble feng, parnassus records, pauline viardot, post haste reed duo, recording of the year, recordings of the year, recordings of the year 2019, suffrage sinfonia, women composers 2019

Recordings of the Year aren’t just about being good or amazing. Everything I play on

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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