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The Daffodil Perspective

The Daffodil Perspective

Championing gender equality in classical music

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The Daffodil Perspective 5th February 2019

February 7, 2019February 9, 2019 Elizabeth de Brito 0 Comments amanda maier], art song, Brahms, classical guitar, classical music, contemporary, contemporary classical, drama musica, female composers, grazyna bacewic, grieg, guitar music, illuminate women's music, jacob hagg, james akers, jamie akers, juliana hall, lutoslawski, music, romantic composer, sidney pratten, violin music, women composers

  This week I’ve got late 19th century Swedish composer and violinist Amanda Maier, playing

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Blog 

17 Great Women Composers You Need to Know.

November 30, 2018December 3, 2018 Elizabeth de Brito 0 Comments alice mary smith, amy beach, Bach, barbara strozzi, Beethoven, Brahms, chen yi, chinese music, Chopin, classical music, Composers, czech music, Debussy, dora pejacevic, emilie mayer, ethel smyth, florence price, gender bias, germaine tailleferre, Handel, Haydn, ina boyle, japanese music, Judith Weir, kapralova, lontano records, maria szymanowska, Marianna Martines, master of the queen's music, Michiru Oshima, Monteverdi, Mozart, music, new york times, nina makarova, odaline de la martinez, patriarchy, Puccini, Schubert, Schumann, Stravinsky, Verdi, wagner, women composers, women in music

Chief t**t, I’m sorry chief classical music critic at the New York Times Anthony Tommasini

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About

The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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