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Why do I have to like Mozart? The harmful objectivity culture in classical music
23rd October 2020
2nd Birthday Online Q & A Event with producer Elizabeth de Brito
THE DAFFODIL PERSPECTIVE is turning two soon!
The Daffodil Perspective 9th October 2020

The Daffodil Perspective

Championing gender equality in classical music

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The Daffodil Perspective 12th February 2019

February 13, 2019February 13, 2019 Elizabeth de Brito 0 Comments amy beach, cambridge female composers festival, chandos, clara schumann, classical music, contemporary classical, contemporary corner, court composer, dame ethel smyth, ethel smyth, female composers, feminism, feminist, francesca caccini, frescobaldi, gender balance, gender equality, gender equity, harlem renaissance, jacopo peri, joanna ward, kurt weill, langston hughes, marco da gagliano, medici, medici court, music of the medici court, opera, sexism, tasmin little, women composers

This show we’re going back to the Baroque with Francesca Caccini, in 1625 she became

What’s the point? A brief look at one of the problems faced to get women composers noticed.

February 10, 2019February 10, 2019 Elizabeth de Brito 1 Comment amy beach, chandos, chandos records, clara schumann, Classical, classical music, dame ethel smyth, discrimination, diversity, equality, ethel smyth, female composers, feminism, feminist, gender balance, gender bias, gender equality, gender equity, misogyny, music, new album, new releases, patriarchy, prestoclassical, Schumann, sexism, sexist, tasmin little, violin, violin sonata, women composers

Say you’re a world famous violinist. There’s a great violin piece you’ve heard by a

10 of the best new releases in 2018 of women composers.

December 30, 2018December 30, 2018 Elizabeth de Brito 2 Comments 2018, arlene sierra, bbc, bbc national orchestra of wales, best new album, chamber music, chaminade, chandos, cheryl frances hoad, classical music, concerto, contemporary classical, contemporary music, drama musica, elena ruehr, emilie mayer, farrenc, feminism, florence price, Gabriella Di Laccio, Hilary Tann, jessica krash, Judith Weir, kapralova, louise farrenc, margaret bonds, mark viner, music, naxoas, new album, nicola benedetti, piano, piano music, ruth gipps, samantha ege, sexism, symphony, trumpet, Venus Blazing

As usual at this time of year there’s a lot of reflection going on about

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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