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  • Guest Article for I Care If You Listen: Gender Equity or White Supremacy? Who’s Really Championed In The Women’s Music Movement
  • The Daffodil Perspective 26th February 2021: All In The Family, W is for Wallen, Trumpet Tunes, Spring Festival & more
  • The Daffodil Perspective 12022021: Palindromes, Self Isolation Soundtrack, Badass Bassoon & More
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  • The Daffodil Perspective 29th January 2021 – Herstory influencing History, U for Ugalde, A World of Oboe and more
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The Daffodil Perspective 29th January 2019

January 30, 2019October 29, 2020 Elizabeth de Brito 0 Comments blossom st choir, cecilia mcdowall, choral music, Classical, classical music, concerto, contemporary, contemporary classical, dana suesse, elizabeth maconchy, feminism, gershwin, Jazz, julie giroux, Kenneth Hesketh, naxos, rebecca rowe, shostakovich, stef connor, Suffrage, this day, Wind Band, wind band music

This week we’re exploring the intersection between classical and jazz with mid 20th century composer

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10 of the best new releases in 2018 of women composers.

December 30, 2018October 29, 2020 Elizabeth de Brito 2 Comments 2018, arlene sierra, bbc, bbc national orchestra of wales, best new album, chamber music, chaminade, chandos, cheryl frances hoad, classical music, concerto, contemporary classical, contemporary music, drama musica, elena ruehr, emilie mayer, farrenc, feminism, florence price, Gabriella Di Laccio, Hilary Tann, jessica krash, Judith Weir, kapralova, louise farrenc, margaret bonds, mark viner, music, naxoas, new album, nicola benedetti, piano, piano music, ruth gipps, samantha ege, sexism, symphony, trumpet, Venus Blazing

As usual at this time of year there’s a lot of reflection going on about

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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