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The Daffodil Perspective 22nd November 2019

November 22, 2019October 29, 2020 Elizabeth de Brito 0 Comments alla pavlova, cecile chaminade, chaminade, clara 200, clara schumann, classical music, coming up for air, dame ethel, dame ethel smyth, ethel smyth, female composers women composer, fete galante, gender balance classical music, gender equality, gender equality classical music, gender equality in classical music, kathryn williams, nina whiteman, odaline de la martinez, sharon su, sharon su clara

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The Daffodil Perspective 12th February 2019

February 13, 2019October 29, 2020 Elizabeth de Brito 0 Comments amy beach, cambridge female composers festival, chandos, clara schumann, classical music, contemporary classical, contemporary corner, court composer, dame ethel smyth, ethel smyth, female composers, feminism, feminist, francesca caccini, frescobaldi, gender balance, gender equality, gender equity, harlem renaissance, jacopo peri, joanna ward, kurt weill, langston hughes, marco da gagliano, medici, medici court, music of the medici court, opera, sexism, tasmin little, women composers

This show we’re going back to the Baroque with Francesca Caccini, in 1625 she became

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What’s the point? A brief look at one of the problems faced to get women composers noticed.

February 10, 2019October 29, 2020 Elizabeth de Brito 1 Comment amy beach, chandos, chandos records, clara schumann, Classical, classical music, dame ethel smyth, discrimination, diversity, equality, ethel smyth, female composers, feminism, feminist, gender balance, gender bias, gender equality, gender equity, misogyny, music, new album, new releases, patriarchy, prestoclassical, Schumann, sexism, sexist, tasmin little, violin, violin sonata, women composers

Say you’re a world famous violinist. There’s a great violin piece you’ve heard by a

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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