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The Daffodil Perspective 8th May 2020 – Happy 125th Birthday Henriette Bosmans!

May 8, 2020October 28, 2020 Elizabeth de Brito 0 Comments agnes zimmermann, black composers, black composers classical music, contemporary female composers, daffodil perspective, female composers 2020, henriette bosmans, henriette bosmans 125, henriette bosmans 125 birthday, jennifer higdon, leah plave, leah plave henriette bosmans, mathilde milwidsky

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Is 2020 really just the year of Beethoven? 10 other important birthdays we should celebrate this year!

March 21, 2020October 29, 2020 Elizabeth de Brito 2 Comments alice mary smith, beethoven 250, black classical composers, classical music, composer birthdays 2020, dorothy rudd moore, elena firsova, female classical composers, henriette bosmans, isabella leonarda, isabella leonarda 400, jacqueline fontyn, libby larsen, maria szymanowska, w g still, william grant still

Last year the classical music world was going nuts over Beethoven’s 250th birthday and this

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The Daffodil Perspective 19th February 2019

February 19, 2019October 29, 2020 Elizabeth de Brito 0 Comments appassionata sonata, art song, Beethoven, butterflies remember a mountain, cello, cello music, cello sonata, chamber music, classical music, contemporary classical, contemporary music, entarteopera, female classical composers, female composers, film music, gordon beeferman, gramola, henriette bosmans, holst, kapralova, Kenneth Hesketh, klaus badlet, lucy hollingworth, marie bigot, music, newspeak, pirates of the caribbean, sweet little crude, vally weigl, vitezslava kapralova, women classical composers, women composers

This week, ahead of the UK premiere of Arlene Sierra’s string chamber piece Avian Mirrors

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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