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The Daffodil Perspective 1st November 2019

November 1, 2019 Elizabeth de Brito 0 Comments ballad of the brown king, black composer, classical music, daffodil perspective, elisabeth lutyens bagatelles, elisabeth lutyens cello, gender balance classical music, gender equality, gender equality classical music, jennifer hughes british cello works, langston hughes ballad of the brown king, laquita mitchell, lionel handy british cello works, lutyens, malcolm merriweather, maragret bonds, noah stewart, reena esmail, women composer album 2019, women composers, women composers 2019

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What is ‘greatness’ in classical music?

February 23, 2019March 1, 2019 Elizabeth de Brito 6 Comments amy beach, barbara strozzi, boulanger, chicago symphony orchestra, classical music, dame elizabeth maconchy, elisabeth lutyens, elizabeth maconchy, emilie mayer, ethel smyth, female composers, feminism, feminist, florence price, gender balance, gender bias, gender equality, great composers, kapralova, louise farrenc, lutyens, Marianna Martines, misogny, music, nadia boulanger, prejudice, racism, sexism, Suffrage, symphony, women composers

Everyone’s got this image of all the ‘great’ composers. They’re all dead white men. British journalist Fiona Maddocks said in

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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