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Why do I have to like Mozart? The harmful objectivity culture in classical music
The Daffodil Perspective 23rd October 2020
2nd Birthday Online Q & A Event with producer Elizabeth de Brito
THE DAFFODIL PERSPECTIVE is turning two soon!
The Daffodil Perspective 9th October 2020

The Daffodil Perspective

The classical music radio show creating space for EVERYONE to belong

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Marianna Martines

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The Daffodil Perspective 10th April 2020

April 10, 2020October 28, 2020 Elizabeth de Brito 0 Comments amplifying allies, Beethoven, classical music, contemporary female classical composers, daffodil perspective, female classical composers, female composers, gabriela lena frank, gender balance in classical music, gender equality classical music, Haydn, Marianna Martines, ming hsui yen, Mozart, vienna 10, vienna ten

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Opinion

What is ‘greatness’ in classical music?

February 23, 2019October 29, 2020 Elizabeth de Brito 6 Comments amy beach, barbara strozzi, boulanger, chicago symphony orchestra, classical music, dame elizabeth maconchy, elisabeth lutyens, elizabeth maconchy, emilie mayer, ethel smyth, female composers, feminism, feminist, florence price, gender balance, gender bias, gender equality, great composers, kapralova, louise farrenc, lutyens, Marianna Martines, misogny, music, nadia boulanger, prejudice, racism, sexism, Suffrage, symphony, women composers

Everyone’s got this image of all the ‘great’ composers. They’re all dead white men. British

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17 Great Women Composers You Need to Know.

November 30, 2018October 29, 2020 Elizabeth de Brito 0 Comments alice mary smith, amy beach, Bach, barbara strozzi, Beethoven, Brahms, chen yi, chinese music, Chopin, classical music, Composers, czech music, Debussy, dora pejacevic, emilie mayer, ethel smyth, florence price, gender bias, germaine tailleferre, Handel, Haydn, ina boyle, japanese music, Judith Weir, kapralova, lontano records, maria szymanowska, Marianna Martines, master of the queen's music, Michiru Oshima, Monteverdi, Mozart, music, new york times, nina makarova, odaline de la martinez, patriarchy, Puccini, Schubert, Schumann, Stravinsky, Verdi, wagner, women composers, women in music

Chief t**t, I’m sorry chief classical music critic at the New York Times Anthony Tommasini

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The Daffodil Perspective 13th November 2018

November 14, 2018October 29, 2020 Elizabeth de Brito 0 Comments Classical, classical composers, classical music, contemporary classical, female composers, Georgias Rodgers, Hasse, Haydn, Hilary Tann, Judith Weir, Marianna Martines, marsyas trio, Metastasio, Mozart, music, nmc recordings, Salieri, Vienna, women composers, women in music

This show features an in-depth look at late 18th Century composer Marianna Martines, a woman

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About

The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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