Today is 100 days since the 1st broadcast of The Daffodil Perspective, and to celebrate I’m taking it to the next level, so much exciting news to share.
1, I’ve launched my brand new logo everywhere. I think it looks really cool!
2. Also got a brand new and improved home page. Read all about my mission here.
3. I’m pleased to announce Contemporary Corner has its first monthly residency with PARMA Recordings! On the 3rd Tuesday of every month I will be showcasing a single composer album by one of their awesome composers. This is starting on the 19th March.
4. Im also excited to announce I’m now a contributor on Women in Music Blog, a fantastic organisation started 30 years ago by composers Odaline de la Martinez, Nicola leFanu and others to support and promote women working in the arts. Fingers crossed to be a full member soon too. Next week on the show I’m very excited to feature the music of Lucy Hollingworth, a brilliant composer and by happy coincidence a trustee of Women in Music.
5. I wrote a guest blog on Dame Elizabeth Maconchy for Illuminate Women’s Music, another trailblazing organisation supporting and promoting women composers. We have a great relationship and I’ve been pleased to feature some of their live recordings every month on the show. Check out my piece on Maconchy and find out more about Illuminate here. They will be playing music by Maconchy at the Royal College of Music on Saturday 16th February, a concert not to be missed.
6. This week Women’s Philharmonic Advocacy mentioned my blog post on their Monday Link Round up. Check it out and find out about their amazing work here. Shout out to them and all the work they do seeing music by women gets performed.
7. I’ve been playing Florence Price a lot on my show so I’ve decided to make my celebration of her official, introducing Fun With Florence! Every month I’ll be showcasing a different piece by this amazing woman along with sharing her story, what inspires me so much about her and a few lessons she can teach us.
That will be happening on the 4th Tuesday of every month and I’m starting with a very special recording from pianist Samantha Ege, a fellow champion of Price and brilliant interpreter of Price’s music. Her album Four Women was released in November, I was very excited to feature it as my album of the week on the 27th November. Have a listen to Ege’s rendition of Price’s Sonata in E Minor from the album Four Women.
To find out more about Samantha Ege and her work check out her awesome site Music Herstories here
8. I created my first curated Spotify playlist – a basic guide to female composers throughout history starting with Hildegard von Bingen, moving through the eras to the 21st century. Just some of the many awesome women composers. Check it out.
Expect more curated playlists coming soon…
9. Lastly shout to composer Rebecca Rowe, I featured her wonderful Fantasie In Nomine in Contemporary Corner on 29th January. Pleased to get a mention on her site too, she’s got tons of great things happening, check it all out here.
10. That’s almost it, I’m planning on starting more regular blog features including updates on new releases, upcoming events and various curated playlists. Few more things in the works, will drop them as soon as I can. Check out my Facebook page and Twitter for updates.
Here’s to a more gender balanced future!
Chief t**t, I’m sorry chief classical music critic at the New York Times Anthony Tommasini just published a book of the 17 greatest composers ever. The entire list is comprised of the usual suspects of long dead white male composers: Monteverdi, Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Schumann, Verdi, Wagner, Brahms, Puccini, Debussy, Stravinsky, Schoenberg and Bartok.
With a few minor variations this is the same list you see in most music books and most websites all over the world. The New York Times article says this represents a
“rounded understanding of classical music at its peak.”
- Rounded? Omitting every female composer and composer of colour? Hmm.
- Also “at its peak”, really? The most recent composer on there died nearly 50 years ago, so what? Classical music has been declining ever since? Such a terrible way to sell classical music, a genre which like every other is living, breathing and evolving constantly to create new and exciting music.
I’m sick of the utter white patriarchy of the classical music industry so here is my own list of 17 indispensably great composers to counter Tommasini’s and they all happen to be women, each with an amazing composition to check out. (Disclaimer: This is just 17 amazing composers, there are so many which I couldn’t include, so it’s just a starting point, not a definitive list with specific rankings).
- Florence Price – American – 1887-1953
Florence Price mixes African American spiritual and American folk idioms with Western classical music. The first African American to have a symphony performed by a major orchestra in 1932 with Symphony in E minor. She also wrote over 300 pieces including orchestral suites, string quartets, solo piano and choral music.
2. Dame Ethel Smyth – English – 1858-1944
Composer and suffragette, she was made a Dame Commander of the British Empire in 1922, one of the highest honours in the UK, and the 1st female composer to be awarded the honour, I think that makes her pretty great. Wrote 6 operas, a ballet, orchestral suites, string quartets, and violin concertante. The Mass in D was written in 1893.
3. Vitezslava Kapralova – Czech – 1915-1940
Inter war composer, child prodigy and conductor. 1st woman composer inducted to the Czech Academy of Sciences and Arts. (Posthumous appt in 1946, she was 1 of only 10 woman inducted up to that point). Contemporary of Martinu, she guest conducted Czech Philharmonic and BBC Symphony Orchestra playing her own Military Sinfonietta, written in 1937. Also wrote songs, string quartets, orchestral Suite Rustica, April Preludes for piano.
4. Marianna von Martines – Austrian – 1744-1812
Grew up downstairs from her piano teacher Haydn and became good friends with Mozart. 1st woman to be admitted to the Accademia Filharmonica of Bologna, society to which Mozart also belonged She was at the centre of the classical music scene in Vienna. Ran an influential salon which everybody who was anyone attended. Wrote tons of amazing music including Dixit Dominus, oratorios, keyboard sonatas and an orchestral Sinfonia. The aria Berenice ah che fai is set to a text of Metastasio, famous librettist back in the 1700s.
5. Maria Szymanowska – Polish – 1789-1831
One of the first professional virtuoso pianists of the 19th century. Also ran an influential salon and toured all over Europe. Wrote mostly piano pieces, lots of cool nocturnes and etudes long before Chopin turned up later in the century.
6. Barbara Strozzi – Italian – 1619? – 1677
Prolific Baroque composer of secular vocal music.
7. Ina Boyle – Irish – 1889-1967
Ina led a sheltered life in Ireland but took lessons from Vaughan Williams. She composed 2 symphonies, orchestral rhapsodies, an opera, ballets and choral music.
8. Germain Tailleferre – French – 1892-1983
Only female member of Les Six, the Parisian group of composers that included Poulenc and Milhaud, plus she was good friends with Ravel. She wrote masses of music including music for radio, film and TV when they came along. Played about with different instruments including oboe, clarinet and violin. Lots of dreamy modernist chamber music including this Concertino for harp and piano.
9. Amy Beach – American – 1867-1944
1st American woman to compose and publish a symphony. Beach’s Gaelic Symphony premiered in 1896 with Boston Symphony Orchestra. Child prodigy pianist, she also wrote a piano concerto and over 100 songs. Member of the Boston Six with Edward Macdowell.
10. Emilie Mayer – German – 1812-1883
Romantic composer – Associate Director of the Berlin Opera Academy. Wrote 8 symphonies, cello sonatas, piano trios and Faust Overture, written in 1880.
11. Nina Makarova – Russian – 1908-1976
Russian composer influenced by Russian and Mari folksongs.
12. Dora Pejacevic – Croatian – 1885-1923
Prolific composer, wrote 1st modern symphony in Croatian music with Symphony in F sharp minor in 1917. Other works include a piano concerto, songs and chamber music.
13. Alice Mary Smith – English – 1839-1884
Classical music history makes it look like there were no English composers in the 200 years or so between Thomas Tallis and Edward Elgar. Alice Mary Smith falls into that supposed void with 2 symphonies, vocal music, concert overtures and clarinet music.
Her Andante for Clarinet is the only piece by a historical woman composer being played by the London Philharmonic Orchestra this season.
14. Judith Weir CBE – English – born 1954
First woman appointed as Master of the Queen’s Music in 2014. Known for choral music and operas.
15. Michiru Oshima – Japanese – Born 1961
Composer of film, video games, TV and straight up classical music.
16. Chen Yi – Chinese – Born 1953
1st Chinese woman to receive an MA in composition from Beijing Central Conservatory of Music, Pulitzer Prize finalist. Written for a variety of mediums including concert band.
17. Odaline de la Martinez – Cuban – Born 1949
1st woman ever to conduct the Proms in 1984. Founded Lontano Records to champion music of living composers, women composers and Latin American composers. Fellow of Royal Academy of Music.
There we are, just a tiny fraction of amazing composers who deserve greater recognition. Hopefully this will be a good jumping off point to discover a broader range of music beyond the dead white males that currently fill the concert halls and airwaves. Again this was not a ranking, just a list of 17 like Tommasini’s for conceptual symmetry, in no particular order.
Listen to my weekly radio show The Daffodil Perspective to hear more brilliant composers, over 50% of which are women. I discuss their lives, music and context in standard classical music history.