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Why do I have to like Mozart? The harmful objectivity culture in classical music
The Daffodil Perspective 23rd October 2020
2nd Birthday Online Q & A Event with producer Elizabeth de Brito
THE DAFFODIL PERSPECTIVE is turning two soon!
The Daffodil Perspective 9th October 2020

The Daffodil Perspective

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racism

Pledges Made, Promises Kept Part 2: Patreon

August 15, 2020September 13, 2020 Elizabeth de Brito 0 Comments classical music, daffodil perspective, inclusivity, music decolonisation, pledges made promises kept, racism, sexism, white supremacy

A thorough audit is underway to ensure The Daffodil Perspective remains anti-racist, committed to championing

APOLOGY TO BLACK WOMEN: I’M SORRY FOR MY DISCRIMINATION, I FAILED IN MY MISSION AND I WILL CORRECT MY MISTAKES

June 5, 2020October 28, 2020 Elizabeth de Brito 7 Comments black lives matter, black music, black music month, black women composers, daffodil perspective, discrimination, errollyn wallen, female composers, florence price, margaret bonds, racism

Yes, I said it. I’m failing in my mission. The Daffodil Perspective champions women but I’ve

Opinion

What is ‘greatness’ in classical music?

February 23, 2019October 29, 2020 Elizabeth de Brito 6 Comments amy beach, barbara strozzi, boulanger, chicago symphony orchestra, classical music, dame elizabeth maconchy, elisabeth lutyens, elizabeth maconchy, emilie mayer, ethel smyth, female composers, feminism, feminist, florence price, gender balance, gender bias, gender equality, great composers, kapralova, louise farrenc, lutyens, Marianna Martines, misogny, music, nadia boulanger, prejudice, racism, sexism, Suffrage, symphony, women composers

Everyone’s got this image of all the ‘great’ composers. They’re all dead white men. British

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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