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The exceptionalising of Florence Price
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The Daffodil Perspective 13th September – Clara 200!

September 13, 2019October 29, 2020 Elizabeth de Brito 0 Comments clara 200, clara schumann, classical music, daffodil perspective, female composers, gender equality classical music, robert schumann, Schumann, women composers

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Opinion

Is 2020 really just the year of Beethoven? 5 other important birthdays to celebrate this year

July 20, 2019October 29, 2020 Elizabeth de Brito 1 Comment barbara strozzi, beethoven 250, clara 200, clara schumann, clarke viola sonata, classical music, dorothy howell, dorothy howell lamia, galina ustvolskaya, henry wood, howell lamia, music, musical centenary, proms, rebecca clarke, Schumann, strozzi, strozzi 400, ustvolskaya, ustvolskaya centenary, viola sonata, women composers

While the majority of the classical music world is losing their s**t over Beethoven’s upcoming

Opinion

What’s the point? A brief look at one of the problems faced to get women composers noticed.

February 10, 2019October 29, 2020 Elizabeth de Brito 1 Comment amy beach, chandos, chandos records, clara schumann, Classical, classical music, dame ethel smyth, discrimination, diversity, equality, ethel smyth, female composers, feminism, feminist, gender balance, gender bias, gender equality, gender equity, misogyny, music, new album, new releases, patriarchy, prestoclassical, Schumann, sexism, sexist, tasmin little, violin, violin sonata, women composers

Say you’re a world famous violinist. There’s a great violin piece you’ve heard by a

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17 Great Women Composers You Need to Know.

November 30, 2018October 29, 2020 Elizabeth de Brito 0 Comments alice mary smith, amy beach, Bach, barbara strozzi, Beethoven, Brahms, chen yi, chinese music, Chopin, classical music, Composers, czech music, Debussy, dora pejacevic, emilie mayer, ethel smyth, florence price, gender bias, germaine tailleferre, Handel, Haydn, ina boyle, japanese music, Judith Weir, kapralova, lontano records, maria szymanowska, Marianna Martines, master of the queen's music, Michiru Oshima, Monteverdi, Mozart, music, new york times, nina makarova, odaline de la martinez, patriarchy, Puccini, Schubert, Schumann, Stravinsky, Verdi, wagner, women composers, women in music

Chief t**t, I’m sorry chief classical music critic at the New York Times Anthony Tommasini

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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