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Show on hiatus until October due to producer accident
Pledges Made, Promises Kept: Revised Music Submissions Policy
The Daffodil Perspective 28th August 2020
Interview with activist and musician Nate Holder
Pledges Made, Promises Kept Part 3: Music Submissions Policy

The Daffodil Perspective

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The Daffodil Perspective 19th June 2020 – Dorothy Rudd Moore’s 80th Birthday!

June 19, 2020June 19, 2020 Elizabeth de Brito 0 Comments black composers, black female composers, black lives matter, black music month, daffodil perspective, dorothy rudd moore, dorothy rudd moore 80, female composers, gender balance classical music, gender equality classical music, inclusivity classical music, racism classical music, sexism classical music

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The Daffodil Perspective 24th April 2020

April 24, 2020 Elizabeth de Brito 1 Comment amplifying allies, are there any female classical composers, daffodil perspective, female composers, female composers 2020, gender equality classical music, kapralova, maconchy, Michiru Oshima, odaline de la martinez, sexism classical music, theodora cormontan, women composers

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Gatekeeping in the classical music industry

July 25, 2019July 25, 2019 Elizabeth de Brito 2 Comments championing women composers, classical music, classical music recordings 2019, classical music releases, classical music sexist, contemporary classical, feminism classical music, gatekeeping in classical music, gender equality classical music, music by women, presto, prestoclassical, sexism classical music, sexism in classical music, women composers

Post any article championing women or calling for diversity in classical music on one of the various classical music groups

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The Daffodil Perspective is a revolutionary new radio show based in London, UK, rewriting classical music history with a more accurate and gender balanced account.

The Daffodil Perspective is showing how women fit into our current version of classical music history and exploring the stories of these women, their music and monumental achievements. Each episode features at least 50% of pieces and airtime by women composers.

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